Lesson 2: Learn from Singer

You can learn quite a lot from singers, but do not believe all that they say.
Von Sängern und Sängerinnen lässt sich Manches lernen, doch glaube ihnen auch nicht Alles!

Advice to Young Musicians – Robert Schumann

Hmmm… the second half of this advice from Schumann is a bit hard to understand. Let’s see what did Steven Isserlis say?

Steven Isserlis, Robert Schumann’s Advice To Young Musicians, Page 14.

Ok, now, let us focus on the first half of the sentence, which I agree very much with it. At the moment, my emphasis on organ learning is Romantic period. Other than sitting in front of my organ, I am also reading a book about organ playing written by Jon Laukvik. On the page 13, he dedicated to deliberate about “Legato” in romantic period. (Legato: smoothly, with no gaps between the notes).

“In organ methods, one is repeatedly advised to sing at the organ, which for romanticism implies legato.”

Jon Laukvik


He cites Alexandre Guilmant to elaborate his point of view:


“The bel canto of the singer.”

Alexandre Guilmant’s (Bel Canto: beautiful singing)


The piece that I am learning now, Cesar Franck’s Organ Choral No. 2 in B Minor, how I love it when the “Cantabile” in bar 65 arrive, so heavenly beautiful. Here, again, a music term that related to singing: Cantabile– Singable, in a singing style.

In short, there is an urgent need to be in the finest song recital in order to continue on my organ learning journey. Bel Canto, Cantabile, of course one has to learn them from a good singer! Like Schumann and Isserlis said.

More reading?

Jon Laukvik with Christoper Anderson (Translator), Historical Performance Practice in Organ Playing: Part 2 – Organs and organ playing in the romantic period from Mendelssohn to Reger and Widor, Page 13.

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